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Here’s the thing about these safety justifications: I think they work because, to Anthropic, they aren’t justifications. The company really believes that they are the only ones who believe in super intelligence, and thus are the only ones who are sufficiently concerned about the dangers. That excuses decision after decision, policy after policy, and confrontation after confrontation that, to people on the outside, look like a bizarre combination of cynicism and naiveté. The contrast to OpenAI is massive: I think that one way to understand how and why OpenAI lost its lead is that, in the years following the release of ChatGPT, the company has been at war with itself internally as what used to be a research lab was suddenly seized with the burden of being the accidental consumer tech company; to the extent OpenAI solved that conflict, it was by bleeding huge amounts of talent to Anthropic in particular. Anthropic, on the other hand, has perfect alignment between talent and mission and business. The company gets to sell to researchers the creation of a machine god, with the mantle of being the sort of person who cares about the dangers and is smart enough to navigate them on behalf of humanity; that every policy change that falls out of that happens to be great for business is the most beautiful coincidence in the world.
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To be clear, I am cool with a lot of cognitive surrender. I don’t remember phone numbers anymore because my phone does that for me. I am happy my kids didn’t need to learn cursive. I am fine with calculators doing my daily math and my computer figuring out how to schedule my classes. These were once useful skills, but we were probably right to get rid of them. AI is different because the technology is general enough that virtually any cognitive task can be offloaded into it to some degree. I don’t want to be too precious about writing: there is no principle that says a polished email draft has to come out of a human mind any more than a column of arithmetic has to. But we don’t want to give up everything, and that we mostly don’t know yet, for any specific task, what is important and what is not. Deciding that is going to be a real challenge.
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Barnett’s concerns about literary merit and professional esteem may be timeless, but they are not terribly timely; they seem to float high above the current on-the-ground realities of what many educators and researchers agree to be a literacy crisis. In urging his audience to see children’s books as “real books,” Barnett skips over larger, more pressing questions about why so many children aren’t reading books at all, real or otherwise.
Finished reading:
Cover image of Rumor Has It
Disco Space Opera series, book 3.
Published .
LGBT, science fiction, space opera
Started ; completed June 8, 2026.